Dekonstruksi Representasi Perempuan dari Sudut Pandang Sutradara Perempuan dalam Film YUNI
Keywords:
representation, women, film, critical discourse analysis
Abstract
The emergence of female directors in the Indonesian film industry is expected to be able to represent female characters in films based on the perspective of women themselves. However, in the film YUNI by female director Kamila Andini, a scene was found showing the female lead wearing revealing clothing. This is identical to the concept of the male gaze which makes women the object of the gaze and positions women only as complementary objects or inferior groups. Therefore, the author wants to look more deeply at how women are represented in the film using Sara Mills' critical discourse analysis which goes through the stages of analyzing the subject-object position and the audience position. Based on the results of the analysis, Kamila Andini is in the position of a woman who criticizes the issues experienced by women in a unique way, and deconstructs the old representation of women who are considered an inferior group. Meanwhile, to see the public's perception of the image of women, further research is needed that discusses the perception of Indonesian society towards the image or impression of Indonesian women today.
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Marsya, U., & Mayasari, F. (2019). Cara Perempuan Memandang : Female Gaze dan Seksualitas Perempuan dalam Perspektif Sutradara Perempuan Nia The Way She Looks : Female Gaze And Women ’ S Sexuality In Nia Dinata ’ S Perspective As A Woman Director. Jurnal Perspektif Komunikasi, 3(2), 127–137. Https://Doi.Org/Https://Doi.Org/10.24853/Pk.3.2.127-137
Mas’udah, S., Megasari, L. A., Doran, E., Rustinsyah, Saud, M., Suyanto, B., & Setijaningrum, E. (2024). Career Women’s Experiences Of Marital Discord And Domestic Violence During The COVID-19 Pandemic In Indonesia. Journal Of International Women’s Studies, 26(4), 1–17. Https://Doi.Org/Https://Vc.Bridgew.Edu/Jiws/Vol26/Iss4/7
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Nasikha, L., Hikmah, F. N., & Irma, C. N. (2023). Bentuk-Bentuk Ketidakadilan Gender pada Tokoh Utama Perempuan dalam Cerpen Monolog Ken Dedes Karya Indah Darmastuti. Jurnal Pendidikan Bahasa Indonesia, 3(1), 113–124. Https://Journal.Peradaban.Ac.Id/Index.Php/Jdpbsi
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Ott, B. L., & Mack, R. L. (2010). Critical Media Studies: An Introduction. Wiley-Blackell.
Pambayun, E. L. (2021). Mengkritisi Pornografi: Sudut Pandang Feminis. Penerbit Nuansa Cendekia.
Pasaribu, A. L., & Pramiyanti, A. (2023). Objektifikasi dan Konstruksi Cantik pada Tubuh Perempuan dalam Akun Instagram @Ugmcantik dan @Unpad.Geulis. Jurkom: Jurnal Riset Komunikasi, 6(2), 158–178. Https://Doi.Org/Https://Doi.Org/10.38194/Jurkom.V6i2.796
Patrisia, R., & Irma. (2024). Mental Health and Resilience In Women Victims Of Domestic Violence. Al-Musthalah: Jurnal Riset dan Penelitian Multidisiplin, 01(01), 14–25. Https://Journal.Syamilahpublishing.Com/Index.Php/Musthalah/
Prasetya, A. B. (2019). Analisis Semiotika Film Dan Komunikasi. Intrans Publishing.
Priandono, T. E., Ramdani, A. H., & Affandi, A. F. M. (2022). Perempuan Tanpa Anak: Strategi Menghadapi Stigma. Jurnal Common, 6(2), 205–221. Https://Doi.Org/Https://Doi.Org/10.34010/Common.V6i2.7105
Rachma, F. M., & Ulya, H. (2021). Male Gaze Representation In Biopic Film “Lovelace” (Semiotics Analysis By John Fiske). Jurnal Ilmu Sosial, Politik Dan Humaniora, 5(2), 384–394. Https://Doi.Org/Http://Dx.Doi.Org/10.31604/Jim.V5i2.2021.384-394
Sari, L. Y., Umami, D. A., & Darmawansyah. (2020). Dampak Pernikahan Dini pada Kesehatan Reproduksi dan Mental Perempuan (Studi Kasus di Kecamatan Ilir Talo Kabupaten Seluma Provinsi Bengkulu). Jurnal Bidang Ilmu Kesehatan, 10(1), 53–65. Https://Doi.Org/Https://Doi.Org/10.52643/Jbik.V10i1.735
Sinopsis YUNI, Film Indonesia yang Menang di TIFF 2021. (2021, September 20). CNN Indonesia. Https://Www.Cnnindonesia.Com/Hiburan/20210920185348-220-696973/Sinopsis-Yuni-Film-Indonesia-Yang-Menang-Di-Tiff-2021/2
Sintowoko, D. A. W. (2022). Mood Cues dalam Film Kartini: Hubungan antara Pergerakan Kamera dan Emosi. Rekam: Jurnal Fotografi, Televisi, Animasi, 18(1), 1–16. Https://Doi.Org/10.24821/Rekam.V18i1.5898
Stiernstedt, F., Jakobsson, P., O’Neill, D., & Wayne, M. (2018). Ghettos And Gated Communities In The Social Landscape Of Television: Representations Of Class In 1982 And 2015. In Considering Class: Theory, Culture And The Media In The 21st Century. Haymarket Books.
Suryakusuma, J. (2011). IBUISME NEGARA, Konstruksi Sosial Keperempuanan Orde Baru. Komunitas Bambu.
Suryasuciramdhan, A., Aini, H., Apriyanti, H., Nabilla, N. H., & Kinaya, R. S. (2024). Analisis Isi Mengenai Ketidakadilan Gender dalam Film “ YUNI ” (2021). Harmoni : Jurnal Ilmu Komunikasi Dan Sosial, 2(2), 332–343. Https://Doi.Org/Https://Doi.Org/10.59581/Harmoni-Widyakarya.V2i2.3242
Sutandio, A. (2023). The Final Girls In Contemporary Indonesian Horror Films: Reclaiming Women’s Power. Cogent Arts & Humanities, 10(1). Https://Doi.Org/10.1080/23311983.2023.2186593
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Published
2025-02-13
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Articles
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